Carl Gustaf Bergsten was a prominent Swedish architect whose work bridged the transition from National Romanticism to early Functionalism. Educated at the KTH Royal Institute of Technology, graduating in 1901, and later at the Royal Swedish Academy of Fine Arts, he developed a strong foundation in structural clarity, craftsmanship and architectural history. A scholarship enabled further studies in Germany and Vienna, exposing him to continental artistic movements that would influence his evolving architectural language.
Bergsten apprenticed under leading Swedish architects Isak Gustaf Clason and Erik Lallerstedt, experiences that shaped his approach to form and materiality. In 1904 he established his own architectural practice, which he led for more than three decades. His work demonstrates a nuanced understanding of proportion and a willingness to explore new stylistic directions, moving from richly detailed National Romantic ideals to the restrained elegance associated with Functionalism.
He is widely recognised for his contributions to exhibition architecture, a field in which he excelled. Bergsten designed numerous exhibition spaces, most notably Liljevalchs Konsthall, one of Stockholm’s most important art venues. For the Norrköping Exhibition of Art and Industry in 1906, he created several major structures, including the Industrial Hall, the Art Exhibition Hall and the Hunting Pavilion. These buildings revealed his ability to design spaces that were both expressive and highly functional.
Carl Gustaf Bergsten’s work occupies an important place in Swedish architectural history, reflecting a period of transformation in which traditional craftsmanship met the emerging ideals of modern design.