Brass
Acking’s relationship with lighting continued to evolve throughout his career, accompanied by a steady flow of public interior commissions. Following his role as chief architect for the groundbreaking H55 exhibition, he designed, around 1963, a series of wall and ceiling fixtures in polished brass for Hotel Continental in Stockholm. This model demonstrates how Acking had by then embraced the restrained modernism of the post-war period. With no visible light bulbs, the light is directed upwards and downwards, while the polished, subtly folded brass reflects and interacts with the light, creating a play of shadows and highlights.
Valsätra Church, Sweden.